Arts and Letter Club Toronto

A Major Impressionist and Post-Impressionist, Bernhard Gutmann (1869-1936) recorded his travels and the joys of family life in paintings distinguished by luscious color and an exuberant sensibility. He was not only a painter who received serious critical acclaim during his lifetime but also a beloved teacher, a successful illustrator, and a master of ceramic and graphic art. In addition, Gutmann had a great influence on American regional art: he organized the still-thriving Lynchburg Art Club in Virginia and later helped establish the influential Silvermine Guild of Artists in New Canaan, Connecticut. Born and educated in Germany, Gutmann arrived in the United States at the age of twenty-three. From modest beginnings - he emigrated to Virginia to work as an electrician - he quickly rose to become the first superintendent of drawing in the Lynchburg public schools. After moving to New York and marrying Bertha Goldman, granddaughter of the founder of the investment banking firm Goldman Sachs, he was financially secure and free to concentrate on his art alone. The last decades of his life were spent in Connecticut, where he raised his family, and in traveling to Europe with his wife and daughters. Because Gutmann had no need to sell his art, it remained with his family rather than going to the galleries, auction houses, and museums that would have kept it in the public eye. His work therefore was little known from his death until his "rediscovery" in 1988, when Gutmann was lauded as "an American Gauguin". Percy North's authoritative text - interwoven with private journals and letters as well as reviews and other period commentary - captures the spirit and the skill of this charming andextremely gifted artist. Gutmann's affectionate and incisive portraits, his foreign genre scenes and landscapes, and his tranquil still lifes are lavishly reproduced in this handsome volume, which will enchant all those who finally have the pleasure of discovering Gutmann's work.

An enigma of twentieth-century literature-a writer accorded great importance in his time, if less than in his own mind-is here explored by one of our most versatile men of letters, a novelist and biographer ideally suited to the strange case of John O'Hara. The accomplishments are undeniable: "the Region," the fictionalized coal-mining Pennsylvania of O'Hara's youth, serving his work much as Yoknapatawpha County did Faulkner's; an acute vernacular gift and a narrative frankness shocking in his day; an intimate, combative relationship with "The New Yorker for over four decades; and a handful of books, from "Appointment in Samarra to "Sermons and Soda Water, that justify their author's ambitious claims. Moreover, he cut a wide swath through a Manhattan demimonde whose fierce friendships and bitter feuds-fueled by oceans of booze-were played out at such institutions as the Stork Club, "21," and the Algonquin Round Table. But for all his best-sellers-one of which, "Pal Joey, was a hit on Broadway, adapted by Rodgers and Hart-O'Hara had emerged in the wake of Fitzgerald and Hemingway, whose reputations buffeted his own. His preoccupations as a novelist of manners became dated as the world of speakeasies, the Social Register, Ivy League universities, and august clubs was inevitably undermined, while his prickly, status-obsessed outsider's personality failed to engage (and often enraged) changing fashions. What Geoffrey Wolff reveals is not only the hugely complicated man in full but also his rightful place in our contemporary attention-a portrait of the artist that illuminates both the process of fiction and an era still vivid in our cultural history.

Chelsea Arts Club - The Chelsea Arts Club was established on March 21 1891 (in Chelsea), as a rival to the older Arts Club in Mayfair, on the instigation of the artist James Abbot McNeill Whistler, who had been a (sometimes controversial) member of the older club.

Toronto Centre for the Arts - The Toronto Centre for the Arts, previously known as the "Ford Centre for Performing Arts", is designed by Canadian architect Eberhart Zeidler for musicals and theatre productions. It houses three theatres:

Industrial Arts Club - An industrial arts club is an organization that promotes the use of industrial fabrication equipment by the general public. Clubs have grown out of the decline of industrial arts (aka shop class) programs in comprehensive school systems in the US.

The Arts Club - The Arts Club was founded by Charles Dickens among others in 1863 in London, England, as a meeting place primarily for artists and writers.

artsandletterclubtoronto

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